October 2020
From October 20 2020 to October 30 2020
Performance laboratory
From October 01 2020 to October 10 2020
Laboratory Programming
Curated by the Equity-seeking committee in collaboration with Wapikoni Mobile and the Montreal Feminist Film Festival
July 2020
From July 31 2020 to September 06 2020
Running with the Argonauts
Clara Painchaud
The July 22 2020
Summer Extraordinary General Meeting
May 2020
The May 01 2020
Mushroom Erotics
March 2020
From March 30 2020 to September 24 2020
Flashback on La Centrale exhibitions
February 2020
The February 29 2020
Community brunch with the artist Tara Lynn MacDougall
From February 25 2020 to March 30 2020
CALL FOR SUBMISSIONS (EXTENDED)
Members exhibition
From February 14 2020 to March 20 2020
It's worth repeating (so I did)
Tara Lynn MacDougall
The February 08 2020
GENERAL MEETING : LETS TALK ABOUT EQUITY!
December 2019
From December 20 2019 to January 24 2020
The Dollhouse at the End of the World
Incubator for Phantom Pregnancies
November 2019
From November 02 2019 to December 08 2019
Montréal ~ Habana : Rencontres en art actuel / Encuentros de arte contemporáneo
Phase 2 : À qui de droit— MONTRÉAL in CUBA
Curated by Solveig Font
Artists:
Maria Ezcurra
Victoria Stanton
Helena Martin Franco
From November 01 2019 to December 06 2019
(body of work)
Karin Jones
Summer Extraordinary General Meeting
EGM: Wednesday, July 22, 2020, from 6 p.m. to 7:30 p.m.
Community brunch with the artist Tara Lynn MacDougall
Event: Saturday, February 29, 2020, 1-3pm
The Dollhouse at the End of the World
Winter showcase December 20, 2019 to January 24, 2019 Opening reception on December 20 from 5 p.m. to 7 p.m.
Phase 2 : À qui de droit— MONTRÉAL in CUBA
Exhibition from November 2 to December 8, 2019
Opening: November 2, 2019
Discussion with Montreal artists: November 5, 2019
(body of work)
(body of work) is a series of eight objects of adornment/restraint mounted on blackened wood panels. The neckpieces reference African diasporic identity as it relates to the enslavement of African pieces in the Americas. The materials used in the work (dried corn, weathered leather, rusted steel, and human hair, to name a few) were chosen to evoke the texture and feeling of that dark period, as it has been represented in countless films and literature.